Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

4.19.2013

Thrashion - Recycled Skateboard Jewlery


If you've spent any sort of time with me you'll know that I'm all about DIY and repurposing objects for other uses once they are done. Especially when it comes to mersh. So to give you a little back story, sometime around the summer of 2011, as Instagram was starting to take the skateboard world by storm, I happened upon this rad couple from the UK. Now I'm not quite sure what it is that the dude does, outside of spending a fair amount of time pushing wood, and helping to raise offspring, but the Lady she is all about repurposing all of our old focused decks. 


What first caught my eye was the simplicity of it all. Jewellery from old decks at more then reasonable prices. so we chatted a bit, i got hooked up with some stickers and proceeded to place them everywhere that I could. Eventually I ordered a set of dog tags made from an old Real deck.


So what I'm saying is, this is a self run company that I have no issues in supporting.


So the other day, as I was reading the monthly Thrashion E-zine (a quick email blast with a feature on an artist or someone who is doing similar things, usually) I decided that I should send them (Nat & Mohawk Projects) a quick email interview, here is how that went down:

JN: Tell me about Thrashion.com, and what prompted you to start doing this?
Nat: I've always made things and dabbled with bits and bobs, I love tools! And I've always been inspired by the DIY/recycle ethos of the punk movement.

I am a skateboarder (not a good one!) and so is my husband, we met through skateboarding (he's behind all the design stuff and the merchandise by the way!) we had loads of knackered skateboards kicking about and a load of tools and so I tried one versus the other and it all kinda grew on its own. 

JN: How long have you been running Thrashion?
Nat: I've been recycling since 2007 and sold my work in galleries but Thrashion really started when I moved online. Which was around 2009.

JN: How has instagram & twitter impacted how you?
Nat: I love Instagram! I'm also a bit of a tweeter, I've made some great connections on twitter and Instagram. I've certainly felt more a part of the wider skateboarding community since tweeting and instagramming. Some of my cufflinks went to the Emmy awards through a connection on twitter, and I've also met some rad people in the skateboard industry who are really supportive of me, I'm very lucky.

JN: What made you decide to start doing your e-zine monthly mail out?
Nat: The eZine was a little way of me giving back! I wanted to give people a voice to a different audience, as I think it's hard to reach a wider audience in the skate community. I also wanted to give people a chance to write about something they felt strongly about which might not necessarily be associated with them. It's still a pretty new concept but the response has been great so far.

Nat: Maybe you should write one?
JN: I just may have too, once a few more things around here have been wrapped up.

JN: Tell me about the process of repurposing the decks, like how do you decide what each board will become?
Nat: I have a specific way of splitting the board to get the most out of it. And I literally recycle every last bit! I also recycle the shavings to a resin artist friend of mine who embeds it in her jewellery (Just K Jewellery you can find them on Etsy) 

JN: I know you take donations of old boards, if some of the folks who read On The Wall wanted to donate, how would they do so?
Nat: I have a Freepost address for UK donations but if you're overseas you can fill in a form on my website:
I will refund the shipping costs depending on the size of the shipment.

JN: If you weren't doing this, what else would you be doing?
Nat: I'd be working in an art gallery, I'm a trained curator and my other job is managing the art collection of a small art museum (http://www.falmouthartgallery.com) I also run workshops for families.

JN: Is there anything else that you wanted to add?
Nat: I have got a new product launching on Friday 26th April which is a bag made in partnership with pro skater Emma 'tiny hands' Richardson (image attached) 'thrashion vs Tinyhands textiles' they are limited edition of only ten and are 100% handmade, they feature fabric designed exclusively for us and the handles are made of skateboard tails. This has never been done before! They will officially launch on that Friday at 8pm on our website http://www.thrashion.com


JN: Thank you very much for taking the time to talk with us, and we hope to see a lot more new stuff from you soon.

If you'd like to check out more stuff from the fine folks at Thrashion you can find them online at http://www.thrashion.com 

Or hit them up via the whole Social Media thing we have going on in 2013

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- Jim Nowhere


3.15.2013

The Fuzz Kings - Accentuate Everything


 An experiment in bringing back some Rockabilly? Or maybe just an Honest attempt to make some good `ol rock and roll. I'll let your ears decide. I know what mine think.

 But i'm not here to argue "genre" classifications, I'm here too listen to music, and when I dig, to tell you about it. Having only really given this thing a quick virtual spin at the moment, it caught me by surprise. Knowing how the Edmonton music scene works is part of that, also knowing the production values usually found on a self released record is another. So the first thing that blew me away was how good absolutely everything sounds, the second thing was excitement at how much better it will sound once I've a limited edition LP in my grubby hands and I'm cranking it through my home stereo, instead of just streaming it through my laptop speakers. But lets get to the meat and potatoes of this thing.

 My first impression was that I had traveled back in time about 50 years, tossed on some spats, and was getting ready to take my best girl for a night on the town. Solid grooves run right through this record (no pun intended) and catchy hooks that just make you want to pick up ones feet and get our collective asses down to the dance floor. Pick it up, give it a listen, and know that what you are hearing isn't from a bygone era, but brand new and about to hit a few local stages kicking off the summer of 2013.

 If you can catch The Fuzz Kings Live for the LP release party Saturday March 16, 2013 at Edmonton's The ARTery

 Jim Nowhere

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thefuzzkings.bandcamp.com
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3.14.2013

Fat Dave - an interview

'Fat Dave' Johnson


Alright so Fat Dave Johnson... 
We all know who Fat Dave is right? Well I had the chance to talk to him a little bit about the new Fuzz Kings LP, guitars & gear, and a little bit about what drives him to keep putting out music this far into the game.

Jim Nowhere: I've a few questions to shoot your way regarding this new release you and your boys are putting out "Accentuate Everything" but I figure the best way to start is to learn a little about you and your history within the Edmonton music scene(s).  So lets cut through the crap and just get started.
Who are you and why should people check out your music?

Fat Dave: I'm Fat Dave, I'm an internationally renowned singer, songwriter and guitar player who writes catchy, tongue-in-cheek tunes that make girls stop and stare. 

I'm a head-turning, charismatic entertainer and musical heavyweight. I might be the best at what I do, and my super-musical heavyweight rhythm section in THE FUZZ KINGS is air-tight... 

JN: How long have you been playing in bands?

FD: I just passed the 16 year mark. 

JN: After catching a few of your live performances, I've noticed you've a few different instruments, what would you say your main live rig is?

FD: Mainly I've been using my American 60th anniversary telecaster through a Fender Blues Jr & ext cabinet in stereo with an excelsior 1x15 combo, split with stereo slap-back delay. 

When I'm feeling silly u bring out a Leslie cabinet as well. 

JN: Now what did you use when recording this album?

FD: Blues Jr power section through an avatar 2x12 cabinet, fender teles and a fender marauder. 

Acoustic parts were played on a beat up old 1956 Gibson J45 and I also used an old electric accordion that I found at value village years back. 

When writing a song, do you approach it differently for the Fuzz Kings, `Ol Smashy, the Fat Dave Crime Wave, or solo, or do you just go with what comes and find a way to make it work within the "confines" of each project?

Songwriting has evolved for me as I've gone through becoming a dad and dealing with divorce, new love, various old cars... And the timeline of bands follows suit somehow. 

Out of the crime wave came ol' smashy... As did the beginning of the end of my marriage. Ol' smashy was something to do more than anything. I just wanted to keep momentum while I figured out what my next real step was...

Which is when I found myself hiring out to Jake Ian and the haymakers and Sherry-Lee Wisor. I was trying to get my bearings and it took a while, but playing music with those bands that I wouldn't normally have chosen to play definitely helped form my decisions and improve my chops in other settings. 

I'm a more traditional player because of it, but I've maintained the rock and roll growl as well. 

Everything is refined and intentional, like it was in the crime wave days, but stylistically different. 

JN: What would you say the main difference between recording a Fuzz Kings record is vs say `Ol Smashy?

FD: The fuzz kings is a little more slick. Just as punchy as ol' smashy but more precise. Less 'smashy' I guess... The songwriting is more upbeat and the delivery is stronger. More finesse. 

JN: Where will the fine folks of the world be able to grab this new release?

FD: Online through thefuzzkings.bandcamp.com and locally at permanent records, freecloud, and a few other places, I'm sure. 

It should be out around the town within a few days of the release party on March 16th at The Artery. 

JN:And if they want to check you cats out online where would they be able to find you?


JN: Anything else you'd like to say?

FD: This is the most seriously I've taken a musical endeavor since the demise of The Fat Dave Crime Wave, and it totally shows. Definitely worth a listen. 

JN: Thank you very much for taking the time to participate.


FD: Thanks, Jim. 


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